Public art in San Francisco is wrought with controversy. There's the Foot, the Geary Bridge, and the Moscone bust (and pedestal). But murals, graffiti, and other forms of street art are rich with pluralistic defiance to the gallery system.
Somewhere between Sunday night and Tuesday evening a bicycle that had been slowly disintegrating over the past two months re-emerged as a Ghost Bike, public art in the Castro.
I've warned people that although the Castro seems safe, bikes in front of my house are frequently stolen. The precursor to the Ghost Bike first lost a front wheel, then the other, then the basket, and finally the handlebars! It lay skeletal, tied to the parking sign washed over by blowing leaves and errant trash.
After daring to leave my own bike locked on top of the stripped bike over Saturday night, I mustered up energy to move it to my apartment, not daring to tempt the theives two nights in a row.
On Tuesday, the remains of the bike transformed into a visual statement as it stood tall against the parking sign in a ghostly monotone gray. And by the marking on the sidewalk, I knew this enlivened bicycle was a gift to me from someone who transforms destroyed bicycles into art.






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